2024 Oscars Best Production Design Predictions

Table Of Content

• Best Supporting Actor
• Oscars Best Production Design overview: Can any of the other 3 nominees surpass ‘Barbenheimer’?
• Production design by Catherine Martin and Karen Murphy; set decoration by Beverley Dunn
• Best Production Designers of All Time
• Production design by Florencia Martin; set decoration by Anthony Carlino
• Sources Gave an Update on Hugh Jackman's 'Love Life' After Fans Raised Concerns About His Well-Being
• Christopher Nolan wins best director

Martin was indeed the first woman to pull off multiple wins in this category and has since been joined in that distinction by Nancy Haigh (“Bugsy,” 1992 and “Once Upon a Time in Hollywood,” 2020). This year, the group could come to include Dunn or Carter’s collaborator, Karen O’Hara, who was initially feted for “Alice in Wonderland” in 2011. She has also received academy mentions for her work in “The Color of Money” (1987) and “Ma Rainey’s Black Bottom” (2021). Christopher Nolan‘s blockbuster biopic was nominated in every single below-the-line category it was eligible for. Anyone who has seen the film on the big screen will have marveled at the vast Los Alamos, New Mexico environment where much of the title character’s work takes place. That’s contrasted with meeting rooms and Senate hearing halls where the story is also set.

Best Supporting Actor

With a low-key ponytail styled by Renato Campora using Hair Rituel by Sisley-Paris and Madison Reed products and dusty rose lips courtesy of makeup pro Kristofer Buckle with Charlotte Tilbury Matte Revolution Lipstick in Super Cindy. With piled high hair sculpted by mane man Vernon Francois and strawberry lips done by beauty guru Nick Barose using Lancome makeup. With a high, knotted bun and soft pink lips and lined lids done by makeup artist Misha Shahzada using Shiseido's Kajal InkArtist.

Oscars Best Production Design overview: Can any of the other 3 nominees surpass ‘Barbenheimer’?

But she’s not a lock to win; Damien Chazelle’s hedonistic Hollywood epic wasn’t well received, and “Elvis” was. Plus, Catherine Martin is an Academy celebrity, who previously won for “The Great Gatsby” and “Moulin Rouge! This video explains how production designer extraordinaires David Wasco and Sandy Reynolds-Wasco built the “look of love” we see throughout La La Land.

Production design by Catherine Martin and Karen Murphy; set decoration by Beverley Dunn

In addition, De Jong was forced to do a rush job on the White House Oval Office set for Oppenheimer’s ill-fated meeting with President Harry Truman (Gary Oldman) when the original plans to use the Nixon Library in Yorba Linda fell through. They pulled the Oval Office set from “Veep” out of storage, which the construction team quickly got ready and added the lobby and cabinet room, working round the clock for five days. We speak with the production designers for five larger-than-life period piece films, ranging from 1920s Los Angeles to a war-torn France.

This next video takes a tour through the original set and shows what it looked like without cast and crew. Over the course of 200 minutes, Francis Ford Coppola transports us from Ellis Island to Lake Tahoe to Havana and more in order to tell the story of two generations of Godfathers. Titanic is proof that production design can go a long way in regards to visual quality. Lamont received his only Oscar win for Titanic; Ford also won 15 years prior for Raiders of the Lost Ark. Pan’s Labyrinth features one of if not the best production design in any of Guillermo del Toro’s films. See the latest film predictions, in all 23 categories, in one place on Variety’s Oscars Collective.

Best Production Designers of All Time

Rokael prepped Kardashian's skin with the Currentbody LED Neck and Dec Perfector red light mask. Standout looks included bold red lips worn by Nicole Kidman and Tracee Ellis Ross and sultry, smoky eyes, as seen on Sofia Carson. Set decorator Adam Willis is a first-time nominee, although he also worked on the team for “Oppenheimer” as well as on an earlier film from “Poor Things'” director Yorgos Lanthimos. Nightmare Alley could have just been filled with some cold places and exteriors, but the team here went the extra mile by giving a certain sense of deteriorated otherworldliness (almost like a Tim Burton film but not as exaggerated). The fully-realized carnival environments, the finer details of the damp living quarters, and so many other elements make the film a real treat to look at and almost feel. The performance space at the International Hotel in Las Vegas, where Elvis had his seven-year residency.

Production design by Florencia Martin; set decoration by Anthony Carlino

Pay attention to color next time you watch The Aviator – you may notice subliminal tones that brilliantly aid the mood. Jules Verne’s 1870 novel 20,000 Leagues Under the Sea captivated readers for generations before it received a proper movie adaptation in 1954. Richard Fleischer’s 20,000 Leagues Under the Sea faced a difficult challenge in making an adaptation that would appease all of those who had read Verne’s novel, but with the help of art director John Meehan and set decorator Emile Kuri, he pulled it off. Cedric Gibbons won more Academy Awards for Best Production Design than any other production designer in history. With a voluminous pixie styled by hair pro Takesha Sturdivant-Drew using ghd tools.

Sources Gave an Update on Hugh Jackman's 'Love Life' After Fans Raised Concerns About His Well-Being

This year, the nominees are a particularly formidable lineup spanning cinematic genres, time periods, and moods—from glittering underwater worlds to extravagant Gilded Age-era mansions. Below, we take a look at the five best production design nominees before the Academy Awards ceremony on March 12. In the days of cinema where CGI has replaced so many calls for locations and architectural design, we still can appreciate those in the production design and set decoration fields, especially when you have a category that is this stacked. Easily the most well rounded batch of five nominees I’ve covered thus far (yet there is still a clear winner in my eyes), the Academy’s nominees for Best Production Design are unquestionably strong this year, all for different reasons.

Before the Oscar was announced, each best actress nominee was honored by previous best actress winners including Michelle Yeoh, Sally Field, Charlize Theron, Jennifer Lawrence and Jessica Lange. Stockhausen has collaborated with director Wes Anderson on four films; including The Grand Budapest Hotel, Moonrise Kingdom, Isle of Dogs and The French Dispatch. Pinnock has been nominated for the Academy Award for Best Production Design five times but her only win was this one for Budapest. Lost Horizon isn’t just famous for its brilliant production design though; as Capra explains in the clip above, he had to cut the film’s first two reels after a catastrophic first showing. At the time of its production, Frank Capra’sLost Horizon was the most expensive film ever made – and it’s clear that a lot of the budget went to the film’s extravagant production design, which was headed by Stephen Goosson. There’s just so much authenticity to the production design in The Aviator that it’s hard not to marvel at it.

We update predictions throughout awards season, so keep checking IndieWire for all our 2024 Oscar picks. ” Perhaps it will also secure wins in costume design, makeup, and potentially even a best actress for Emma Stone. Or, worst-case scenario, it could leave empty-handed and join the ranks of films like “The Turning Point” and “The Color Purple” with the most Oscar losses in history. So how much of a lift does “Babylon” get in the production design Oscar race, considering how divisive it’s been?

There are monolithic buildings, gothic staircases, and captivating statues/gargoyles all over the place – not to mention how great the rest of the production design was too. For decades, there were rumors that the phantom stage was haunted, with some alleging that mysterious figures could be seen in the balconies. In 2014, the stage was demolished but its history remains an essential story in Hollywood production design. With an undone chignon and pinky-caramel lips via Pat McGrath Labs Matte Trance Lipstick in 1995 applied by makeup artist Mary Phillips..

Uand smoky eyes done by makeup artist Andrea Tiller using Charlotte Tilbury products. With a retro ‘do styled by Lacy Redway using Tresemme Total Volume Hair Spray and Dove Brilliant Gloss & Repair and icy pink lips painted by makeup artist Karina Milan with Byredo Lipstick in Earth Dust. With side-parted, wet-look locks styled by hair pro Peter Savic using Navy Haircare Skipper Flexible Volumizing Hair Spray and nude lips plus lush lashes done by makeup artist Rokael using KVD Beauty and Kiss lashes.

Oscar Predictions 2024: What Will Win This Year Festivals & Awards - Roger Ebert

Oscar Predictions 2024: What Will Win This Year Festivals & Awards.

Posted: Fri, 01 Mar 2024 08:00:00 GMT [source]

If you want to build beautifully expressive and colorful film sets like those in The Grand Budapest Hotel, check out our video below. Each of the last 14 films that have received this honor have also collected at least one more Oscar, with the last lone winner having been “Sweeney Todd.” The most overlap has occurred in Best Cinematography, Best Costume Design, and Best Score, with five instances each. Any of the present production design contenders could continue the tradition, but “All Quiet on the Western Front,” “Babylon,” and “Elvis” are best positioned to do so since they are each nominated in two of the three most commonly correlational categories.

A clearly emotional Stone thanked director Yorgos Lanthimos for the “gift of a lifetime” for her role as Bella Baxter. This awards season, Nolan has won a Golden Globe for best director and BAFTAs for best director and best film. I think most people would agree that the production design in the 1989 Batman is the probably the best production design of any superhero movie ever made.

But bear in mind that the ADG Awards are voted on by production designers as opposed to the Oscars, where the entire academy will weigh in on this category. This is also a case of the Oscar newcomers behind “Poor Things” vs. the much-nominated artisan behind “Barbie” who might be due for an Oscar win. Like that film and many of the director’s films since, “Napoleon” shows off the enormous scale in which the filmmaker continues to work, creating grand battle sequences and impressive images, some that look like famous paintings of the French military leader. Griff is a first-time nominee, although her incredible work was also seen in Rian Johnson‘s “Glass Onion” from 2022. “Movies are dreams that you never forget,” Mitzi Fabelman tells her young son, Sammy, in Steven Spielberg’s tender coming-of-age film, The Fabelmans.

Amadeus is one of those movies you watch and think “wow that was a visual treat.” Patrizia von Brandenstein and Karel Cerny should be commended for not only recreating 18th-century Vienna, but for adding visual flair to the era with color and neo-baroque detail. Joseph L. Mankiewicz’s Julius Caesar used some of the same sets as the 1951 film Quo Vadis — so it was important that Gibbons and the team tinkered them in such a way to mask the similarities. Before we rank the best winners of the Academy Award for Best Production Design, let’s go over a couple things. The Academy Award for Best Production Design used to be called the Academy Award for Art Direction and it was given out to the best black-and-white film and the best color film each year. With a low, side-slung chignon woven by hairstylist Mara Roszak using Augustinus Bader hair products and the Zuvi blowdryer. Makeup artist Kyra Panchenko prepped skin with Face Gym devices and painted bold, scarlet lips.